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Winning the Streaming Viewer Starts with a Strong Platform
By Miles Weston Content Insider #611 – Higher Standards “Women will have achieved true equality…
YouTube Could Become Content Creators Best Partner
Content Insider #610 – Content Utopia By Miles Weston “Look, talent comes everywhere, but having…
Roy Wagner ASC Shoots Latest Film ‘Stand!’ Exclusively With Blackmagic Design Cameras
Blackmagic Design today announced that acclaimed cinematographer Roy H. Wagner, ASC shot the upcoming musical…
Making Music Video Magic
Director Andrew Colton captures the music video for Plan for Panic’s “I’m Sorry” with Blackmagic…
With Great Content and Commitment, Creatives Will Find Their Audience
Content Insider #609 – Better Projects By Miles Weston “So here we are: a thief,…
Interview: Supersphere Rocks the World of Live Streaming
Supersphere, an immersive technology and content company, is rocking the world of live streaming (http://superspherevr.com/live-vr/)….
PowerHouse VFX Continues Breakthrough First Year with M. Night Shyamalan’s “GLASS”
NEW YORK—January 25, 2019— PowerHouse VFX, the New York-based boutique VFX studio, rounded out its first…
It may be the Greatest Show on Earth but you can’t see all of CES
It may be the Greatest Show on Earth but you can’t see all of CES…
New Steve Vai VFX Heavy Music Video Completed Entirely with DaVinci Resolve 15 and URSA Mini Pro
Blackmagic Design announced today that guitarist Steve Vai’s new music video for his latest single, “Dark Matter,”…
Interview: SCRATCH Delivers Flawless Performance for Barend Onneweer’s “Instant Dreams”
Barend Onneweer sees beauty in the perfection of the details for his digital cinema projects…
Expanding the Opportunities for the Total Video Ecosystem
Content Insider #600 – Story Time By Miles Weston “In the beginning, it is always…
DTC Winners Need Quality, Quantity, Focus
Content Insider #595 – Jockeying By Miles Weston “Live together, die together, works when you…
Great Video Requires Talent and Lots of Fast, Reliable Storage
Content Insider #603 – Protection by Miles Weston Now, my point is that the lack…
The 5G Over-Hype Gap
By Andy Markem and J. Gerry Purdy, Ph.D. 5G is going to garner in a…
VFX Investigation: Cracking the “Bosch” Case
Moving Target uses Fusion 9 Studio on the hit Amazon Prime Video streaming series Based…
Three Tips to Unleash the Creative Entrepreneurs in Your Community
By Alice Loy The Fourth Industrial Revolution is upon us. If you are wondering how…
“The Paranormal Journey: Into the Unknown” Gets Real with URSA Mini 4.6K and DaVinci Resolve Studio
Now in its third season, “The Paranormal Journey: Into the Unknown” follows the paranormal team…
Reboots, Remakes are Comfort Food for the Soul But…
Content Insider #605 – World of Same By Miles Weston “I’m gonna eat your brains…
Changing the Flow of Content from Inception to Consumption
Content Insider #598 – Video Production AI By Miles Weston “It’s not so much staying…
5G Phones Will Be Here Long Before 5G Streaming is Available
Content Insider #606 – Beautiful Dreams By Miles Weston It’s hard to believe, but it…
It Would Be Terrible if Past Video Stories Faded Away
Content Insider #607 – Yesterday, Tomorrow by Miles Weston Periodically, it was fun to cut…
WUNDER 360 S1 360 Spherical Action Camera Review
by Stephen Schleicher 360 video for Virtual Reality continues to be an area that next…
Scratch Play Pro Review
by Stephen Schleicher If you are looking for a responsive camera format player and transcoder…
Grading and Finishing with Scratch
Last summer I filmed a short mockumentary spoofing a home improvement show where the homeowners…
Avoiding Post Production Nightmares: Behind-the-scenes of “The Nightmare Gallery”
Director Gene Blalock uses DaVinci Resolve 15 Studio for the new horror film’s VFX, editing,…
Indie Thriller Ingenium Goes to the Big Screen
Ingenium Gets Consistent Look from Assimilate’s SCRATCH Indie thriller, Ingenium, was a labor of love…