Turning the Turing Test on its Head in Olivier Orand’s “Thursday Night” Music Video
Director Kays Al-Atrakchi captured the new futuristic music video with a Pocket Cinema Camera 4K…
Video Editing
Assimilate SCRATCH 9.1 Enables End-to-end 8K Workflows with Support for AJA KONA 5; Gains AJA Io 4K Plus Compatibility
Delivers Perfect Dailies and Finishing Workflow for RED 8K Footage AUGUST 20, 2019 – ASSIMILATE –…
Why Jeff Sousa Made the Switch to SCRATCH
Jeff Sousa is a co-owner and colorist at Dungeon Beach, a boutique post house in Brooklyn that offers online editing, conform, color grading, visual effects, audio mixing, sound design, and DCP services under one roof.
Urban Sled’s DaVinci Resolve Studio Workflow: Collaborative Editing, Grading and VFX Without the Conforming
Anyone working in the 80s and 90s in post and broadcast remembers the sneaker net….
Time Traveling to the 1980s with Tokyo Rose’s “Bright Lights, Dark Shadows”
Filmmaker Tim Buttner used DaVinci Resolve 15 Studio for the new music video’s VFX and…
TANKI, a Feature Film from Russia, Has Worldwide Release on March 15
Brief Tutorial by Dimitri Kali for Post-Production in SCRATCH for TANKI Dimitri Kali’s post-production studio…
Making Music Video Magic
Director Andrew Colton captures the music video for Plan for Panic’s “I’m Sorry” with Blackmagic…
ATEN 2-Port Thunderbolt 2 Sharing Switch
By Stephen Schleicher Once upon a time, there was a young man – we’ll call…
