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Urban Sled’s DaVinci Resolve Studio Workflow: Collaborative Editing, Grading and VFX Without the Conforming

Anyone working in the 80s and 90s in post and broadcast remembers the sneaker net. Running tapes around a newsroom…

Video Storytelling Could be the Key to Bringing People Closer Together

Content Insider #626 - Global Fare By Miles Weston “My friends and I appeal to you with the utmost humility.…

SCRATCH v9 & Matchbox Shaders

Learn how to install Matchbox shaders and use them in grades and composites! https://vimeo.com/285256385 Learn more at https://assimilateinc.com/

Capturing Perth’s Live Music Scene in Peter Renzullo’s “Anticipation” with Blackmagic Design Cameras and DaVinci Resolve for Editing and Color Correction

Peter Renzullo knows the Australian music scene. He is a top level musician, musical producer and owner of Scudley Records…

Sometimes, Too Many Choices May Not Be A Good Thing

Content Insider #622 – Streams, Dreams By Miles Weston “What's true in our minds is true, whether some people know…

Content Getting a New Personalized Voice, Image

Content Insider #618 - Focused Audience By Miles Weston “We've had two official complaints about the billboards, so, actually...” –…

Time Traveling to the 1980s with Tokyo Rose’s “Bright Lights, Dark Shadows”

Filmmaker Tim Buttner used DaVinci Resolve 15 Studio for the new music video’s VFX and grading The hunted becomes the…

NAHB Relies on Facilis for HD and 4K+ Workflows

HUDSON, MA (March 7th, 2019) – Facilis, a leading international supplier of cost-effective, high performance shared storage solutions for collaborative media production…

Behind-the-Scenes on the Portland Indie Feature “Pretty Broken”

DP Michael Ferry shoots with a Blackmagic URSA Mini 4.6K while Colorist Mark Todd Osborne used DaVinci Resolve Studio in…

AI Can Improve Content Creation and Enjoyment

Content Insider #613 - Just Knowin By Miles Weston “My thoughts and memories are unique only to me, and I…