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Interview: Supersphere Rocks the World of Live Streaming

Supersphere, an immersive technology and content company, is rocking the world of live streaming (http://superspherevr.com/live-vr/). According to Lucas Wilson, founder…

PowerHouse VFX Continues Breakthrough First Year with M. Night Shyamalan’s “GLASS”

NEW YORK—January 25, 2019— PowerHouse VFX, the New York-based boutique VFX studio, rounded out its first year in business by serving…

It may be the Greatest Show on Earth but you can’t see all of CES

It may be the Greatest Show on Earth but you can’t see all of CES Content Insider #608 – The…

New Steve Vai VFX Heavy Music Video Completed Entirely with DaVinci Resolve 15 and URSA Mini Pro

Blackmagic Design announced today that guitarist Steve Vai’s new music video for his latest single, “Dark Matter,” was completed utilizing a full Blackmagic…

Interview: SCRATCH Delivers Flawless Performance for Barend Onneweer’s “Instant Dreams”

Barend Onneweer sees beauty in the perfection of the details for his digital cinema projects that include visual effects, animation,…

Expanding the Opportunities for the Total Video Ecosystem

Content Insider #600 – Story Time By Miles Weston “In the beginning, it is always dark.” – The Childlike Empress,…

DTC Winners Need Quality, Quantity, Focus

Content Insider #595 – Jockeying By Miles Weston “Live together, die together, works when you have to keep on fighting.…

Great Video Requires Talent and Lots of Fast, Reliable Storage

Content Insider #603 – Protection by Miles Weston Now, my point is that the lack of a silver spoon has…

The 5G Over-Hype Gap

By Andy Markem and J. Gerry Purdy, Ph.D. 5G is going to garner in a remarkable new generations of wireless…

VFX Investigation: Cracking the “Bosch” Case

Moving Target uses Fusion 9 Studio on the hit Amazon Prime Video streaming series Based on the best-selling Michael Connelly…