‘The Way I See It’ Uses Pocket Cinema Camera 6K For Remote Shooting
President Barack Obama and Vice President Joe Biden talk with senior staff following a bilateral meeting with Chancellor Angela Merkel of Germany in the Oval Office, Feb. 9, 2015. Present are; Secretary of State John Kerry; Ben Rhodes, Deputy National Security Advisor for Strategic Communications; Press Secretary Josh Earnest; Communications Director Jennifer Palmieri; National Security Advisor Susan E. Rice; Lisa Monaco, Assistant to the President for Homeland Security and Counterterrorism and Senior Advisor Dan Pfeiffer. (Official White House Photo by Pete Souza)
Fremont, CA – October 28, 2020 – Blackmagic Design today announced that the new documentary “The Way I See It” used a Blackmagic Pocket Cinema Camera 6K digital film camera to remotely capture interviews with the film’s main subject, former Chief Official White House Photographer Pete Souza.
Directed by Dawn Porter, “The Way I See It” follows the life and work of Souza, who served as a photographer for both the Reagan and Obama administrations. Premiering at the 2020 Toronto International Film Festival, the hit documentary began its theatrical run in September 2020 and made its television debut in October 2020 on MSNBC.
Production was forced to close when the COVID-19 pandemic hit in the spring of 2020, but according to Porter, halting production was not an option. Due to the film’s subject matter and relevance to the 2020 United States presidential election, it was important that the film stay on track for its fall 2020 release. The only option was to finish filming remotely, so Porter and DP Clair Popkin decided to send Souza a Pocket Cinema Camera 6K to use for his remaining interviews.
“Since Pete’s photographs are at the center of this story, it was very important that we maintained a certain level of cinematic quality. We were about 75 percent done filming, and we needed our remaining interviews to seamlessly match the rest of the footage, even though we were going to have to film them very differently,” said Porter.
With that in mind, Porter and Popkin quickly dismissed using a webcam or phone to finish out the interviews. Already familiar with Blackmagic Design cameras from previous projects, Popkin came up with the idea to use a Pocket Cinema Camera 6K because of its usability and dynamic range.
“Since Pete would be in charge of lighting himself, it was essential that we had a decent dynamic range and LOG gamma,” added Popkin. “Usability was also key, as we needed it to be a simple enough camera system that he’d be comfortable setting it up himself, while also being sophisticated enough to deliver the cinematic image we were looking for. The Pocket Cinema Camera 6K delivered just that.”
While Souza is a very accomplished still photographer, he doesn’t typically work with digital film cameras, so the documentary crew wanted to make sure everything was as easy to use as possible. They worked with a company to set up and sanitize the gear prior to it being shipped to Souza, and they included laminated cards depicting the workflow and showing how everything went together.
Popkin continued, “Being able to use Canon lenses with the Pocket Cinema Camera 6K was a big added bonus, since Pete was already familiar with them from using several Canon systems of his own in his photography work. Additionally, being able to record the footage directly to SSD drives was really helpful, as it streamlined the process and provided less room for error. Pete could easily drag and drop one drive to another and ship it to us, which was a nice feature for delivering the footage.”
“The Pocket Cinema Camera 6K helped open up possibilities for remote shooting that we wouldn’t have had otherwise,” Porter concluded. “We were able to adapt and get the footage we needed to finish the film and stay on schedule, even though we couldn’t physically be there ourselves.”
About Blackmagic Design
Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com